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Prosthetic Magazine, nummer 16. Gepubliceerd door internationaal gerenommeerd make-up FX artiest en docent Neill Gorton. Bevat artikelen over het Televisie protheses, make-up Special Effects en onderwerpen verwant aan special effects makeup. Er staan diepte-interviews in met de toonaangevende wereldwijde artiesten, technische informatie over materialen en een fantastische collectie van gedetailleerde tutorials door een aantal zeer talentvolle kunstenaars.

Je kunt alle ins en out lezen en bekijken van de Prosthetic Business. Als je Special FX en dan met name de Prosthetics wilt maken en uitvoeren dan zijn deze magazines een must have.

Tip: er zijn nog meer nummers van dit geweldige vakblad, spaar ze allemaal.

Tekst van de uitgever:

Journey to Westeros with our extended feature, but stop off on the way for swamps, floods, snap moulds, steampunk, lookalikes, fine art, museums, and extreme old age. Something for everyone in issue 16!

LOOK OUT FOR

Barrie Gower of BGFX on the juggernaut that was Game of Thrones, from delicate detail on the Children of the Forest to bulk burn effects and battle scenes
Joel Harlow talks extreme old age makeup effects creation techniques as he ages Zachary Quinto from his forties to 135. Look away now if you don’t like creepy nails and teeth…
Adrien Morot takes on Alexandre Aja’s alligators-in-a-hurricane-zone big-screen drama. Think popping bones, mattress-foam-based dogs, and plenty of gore. You can thank us later.

FEATURES
BGFX’s Barrie Gower on five seasons of the biggest television show in the world / The second part of our profile of Academy Award-winning makeup FX and fine artist Wesley Wofford / Creating effective lookalike makeup for Russell Crowe as Roger Ailes in The Loudest Voice / Justin Raleigh and Fractured FX getting into their DC Comics swampy stride creating Swamp Thing.

TUTORIALS AND TECH SPECS
AKIHITO shows us the steps he used to create his beautiful steampunk Tre Kana makeup which astonished everyone at Monsterpalooza 2019, and Stuart Bray and Todd Debrecini modify snap moulds to make customised cores for a multi-piece, overlapping prosthetic makeup.

Plus: wisdom from Sarah Gower, gator love and gore from Adrien Morot, the international museums that preserve prosthetics, and this issue’s B-Sides: Steve Johnson on a trio of Marvels that got away.

Specificaties